I was a photographer before a painter. And then when I got back into painting my photography became and adjunct to my painting. I don't do plein aire. I have tried it. What I really want is always back in the studio. Besides the western air just makes water color dry too fast. I tried carrying a watercolor sketch book and a small tin of colors with a brush or two for sketches, but in the cool mountain air or a long hike the camera is so much quicker.
When I took the above picture of a back roads arch in Arches National Park I took about 50 others. I loved the juxtaposition of the cliff edges with the arch and the shapes created. Just wasn't sure of what made the best composition. At home I found myself liking the vertical over the horizontal and this one above all the others.
With the addition of digital imaging and software to manipulate that image I have found myself playing around with my photographs for other than painting a picture of the subject. The picture above I enhance to bring out the texture of the stone.
I find myself playing around with my photographs for the sheer joy of playing. And sometimes interesting things come of it like this old truck. When I took the photo it was a rusty old truck. But home and cropped and just a bit of enhancement of color to bring out the faded green a tad more it became my Epiphany card.
Been there, done that, have the bullet holes to prove it. |
The above was like my third picture I took with my new Nikon D90. More pixels you have the more you get to play I find. And Corel Paintshop Pro has lots to play with. This winter with the weather less than optimal for photography I have played. The above photograph is to me a digital art work. And the question becomes at exactly where the line is between a manipulated photograph and a digital work of art?
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I appreciate all kind comments on my art and poetry.